


Events
Event Details
Jacques Hotteterre: Deuxième Suitte [B-flat major] from Pieces a deux dessus Œuvre VI (Paris 1717), with recorders Préludes from L’Art de Préluder Œuvre VII (Paris 1719) Jean-Philippe Rameau: Suite e
Event Details
Jacques Hotteterre: Deuxième Suitte [B-flat major] from Pieces a deux dessus Œuvre VI (Paris 1717), with recorders
Préludes from L’Art de Préluder Œuvre VII (Paris 1719)
Jean-Philippe Rameau: Suite e minor from Pièces de clavecin, avec une table pour les agrémens (Paris 1731)
François Couperin: Les Bagatelles from Second livre de diéces de clavecin (Paris 1716)
Marin Marais: Suite c minor from Pièces en trio (Paris 1692) with recorder, oboe and b.c.
Louis-Antoine Dornel: 3 Trios
L’Orfeo Bläserensemble:
Carin van Heerden and Philipp Wagner, oboe & recorder
Jean Christoph Dijoux, harpsichord
Matthias Müller, viola da gamba
Musical ball game on the exquisite central court of Versailles: join us for an exciting match between our ensemble and great masters such as Antoine Dornel, Jacques Hotteterre and others.
Time
Thursday, 4. March 2021 19:30
Event Details
Georg Philipp Telemann: Das selige Erwägen des bittern Leidens und Sterbens Jesu Christi TWV 5:2 Passion Oratorio in nine comtemplations for soloists, choir and orchestra (1720–22, rev. 1728 & 1763) Maria
Event Details
Georg Philipp Telemann: Das selige Erwägen des bittern Leidens und Sterbens Jesu Christi TWV 5:2
Passion Oratorio in nine comtemplations for soloists, choir and orchestra (1720–22, rev. 1728 & 1763)
Maria Ladurner, soprano (Faith, Zion, Devotion)
Bernhard Berchtold, tenor (Devotion)
Daniel Johannsen, tenor (Petrus)
Rafael Fingerlos, baritone (Jesus)
Matthias Hoffmann, bass (Caiphas)
Collegium Vocale Salzburg
L’Orfeo Barockorchester
Michi Gaigg, conductor
The Passion as musical genre deals with the aspect of time left. Illustrious soloists join us in a performance of Georg Philipp Telemann’s “Seliges Erwägen des bittern Leidens und Sterbens Jesu Christi”, one of the most beautiful and moving Passion Oratorios. It doesn’t always have to be a Bach Passion, does it?
Time
Wednesday, 10. March 2021 19:30
Organizer
Event Details
“A warm welcome to all students and others interested in attending the final rehearsal before our concert!”
Event Details
“A warm welcome to all students and others interested in attending the final rehearsal before our concert!”
Time
Sunday, 14. March 2021 16:00
Organizer
Event Details
Johann Sebastian Bach: Orchestra Suite No. 2 in b minor BWV 1067 Cantata “Ich habe genung” BWV 82.2 Concerto in A major for Oboe d’amore, Strings and B.c. BWV 1055a
Event Details
Johann Sebastian Bach:
Orchestra Suite No. 2 in b minor BWV 1067
Cantata “Ich habe genung” BWV 82.2
Concerto in A major for Oboe d’amore, Strings and B.c. BWV 1055a
Cantata “Ich armer Mensch, ich Sündenknecht” BWV 55
Anders J. Dahlin, tenor
Marcello Gatti, traverso
Carin van Heerden, oboe d’amore
L’Orfeo Barockorchester
Michi Gaigg, direction
In 1723 Johann Sebastian Bach became cantor at the Thomas Church in Leipzig, a position he held for 27 years until his death in 1750. Bach’s foremost task was to provide music on a weekly basis for the city’s four churches. It was during this period that he composed all the great Passions, the four cantata cycles, the B minor Mass and a number of other church music masterpieces. L’Orfeo Barockorchester, directed by Michi Gaigg, performs two cantatas written in the years 1726–1727: “Ich armer Mensch, ich Sündenknecht”, BWV 55 and “Ich habe genung”, BWV 82. Bach didn’t only compose church music during this period though: in fact, he wrote instrumental music, orchestral works, solo concerts and chamber music during his whole lifetime. In addition to all his obligations in Leipzig he also directed the weekly concert series of the Collegium Musicum that performed to a paying audience. A substantial amount of instrumental music was composed for these occasions. L’Orfeo Barockorchester performs the second Orchestral Suite (BWV 1067) and his Concerto in A major for oboe d’amore (BWV 1055a), better known for its later arrangement for harpsichord.
Time
Sunday, 14. March 2021 19:00
Organizer
Event Details
Georg Philipp Telemann: Das selige Erwägen des bittern Leidens und Sterbens Jesu Christi TWV 5:2 Passion Oratorio in nine comtemplations for soloists, choir and orchestra (1720–22, rev. 1728 & 1763) Maria
Event Details
Georg Philipp Telemann: Das selige Erwägen des bittern Leidens und Sterbens Jesu Christi TWV 5:2
Passion Oratorio in nine comtemplations for soloists, choir and orchestra (1720–22, rev. 1728 & 1763)
Maria Ladurner, soprano (Faith, Zion, Devotion)
Bernhard Berchtold, tenor (Devotion)
Johannes Bamberger, tenor (Petrus)
Rafael Fingerlos, baritone (Jesus)
Matthias Hoffmann, bass (Caiphas)
Collegium Vocale Salzburg
L’Orfeo Barockorchester
Michi Gaigg, conductor
The Passion as musical genre deals with the aspect of time left. Illustrious soloists join us in a performance of Georg Philipp Telemann’s “Seliges Erwägen des bittern Leidens und Sterbens Jesu Christi”, one of the most beautiful and moving Passion Oratorios. It doesn’t always have to be a Bach Passion, does it?
Time
Sunday, 28. March 2021 17:00
Organizer
Event Details
Georg Philipp Telemann: Das selige Erwägen des bittern Leidens und Sterbens Jesu Christi TWV 5:2 Passion Oratorio in nine comtemplations for soloists, choir and orchestra (1720–22, rev. 1728 & 1763) Maria
Event Details
Georg Philipp Telemann: Das selige Erwägen des bittern Leidens und Sterbens Jesu Christi TWV 5:2
Passion Oratorio in nine comtemplations for soloists, choir and orchestra (1720–22, rev. 1728 & 1763)
Maria Ladurner, soprano (Faith, Zion, Devotion)
Bernhard Berchtold, tenor (Devotion)
Johannes Bamberger, tenor (Petrus)
Rafael Fingerlos, baritone (Jesus)
Matthias Hoffmann, bass (Caiphas)
Collegium Vocale Salzburg
L’Orfeo Barockorchester
Michi Gaigg, conductor
The Passion as musical genre deals with the aspect of time left. Illustrious soloists join us in a performance of Georg Philipp Telemann’s “Seliges Erwägen des bittern Leidens und Sterbens Jesu Christi”, one of the most beautiful and moving Passion Oratorios. It doesn’t always have to be a Bach Passion, does it?
Time
Monday, 29. March 2021 20:00
Organizer
28April20:00In love ... with SchubertHohenems - Markus Sittikus Hall
Event Details
Franz Schubert: Symphony No. 2 in B-flat major D 125 Symphony No. 5 in B-flat major D 485 Symphony No. 6 in C major D 589 “Little C major” L’Orfeo Barockorchester
Event Details
Franz Schubert:
Symphony No. 2 in B-flat major D 125
Symphony No. 5 in B-flat major D 485
Symphony No. 6 in C major D 589 “Little C major”
L’Orfeo Barockorchester
Michi Gaigg, conductor
Celebrating its 25th anniversary L’Orfeo’s complete recording of Franz Schubert’s symphonies and the symphonic fragments will be released. The final recording sessions for this major project will take place at the end of April. The project includes a concert at the Schubertiade Hohenems.
Time
Wednesday, 28. April 2021 20:00
Organizer
Event Details
Wolfgang Amadeus Mozart: Symphony No. 25 in g minor K 183 Ludwig van Beethoven: “Primo amore, piacer del ciel” („Erste Liebe, Himmelslust“) WoO 92, Aria for Soprano and Orchestra “Ah!
Event Details
Wolfgang Amadeus Mozart: Symphony No. 25 in g minor K 183
Ludwig van Beethoven: “Primo amore, piacer del ciel” („Erste Liebe, Himmelslust“) WoO 92, Aria for Soprano and Orchestra
“Ah! Perfido” op. 65, Scene and Aria for Soprano and Orchestra
Franz Schubert: Symphony No. 2 in B-flat major D 125
Martina Fender, soprano
L’Orfeo Barockorchester
Michi Gaigg, conductor
Time
Monday, 3. May 2021 19:30
04May19:3025 Years of L’Orfeo Barockorchester - Jubilee ConcertVienna - Musikverein Wien, Great Hall
Event Details
Wolfgang Amadeus Mozart: Symphony No. 25 in g minor K 183 Ludwig van Beethoven: “Primo amore, piacer del ciel” („Erste Liebe, Himmelslust“) WoO 92, Aria for Soprano and Orchestra “Ah!
Event Details
Wolfgang Amadeus Mozart: Symphony No. 25 in g minor K 183
Ludwig van Beethoven: “Primo amore, piacer del ciel” („Erste Liebe, Himmelslust“) WoO 92, Aria for Soprano and Orchestra
“Ah! Perfido” op. 65, Scene and Aria for Soprano and Orchestra
Franz Schubert: Symphony No. 2 in B-flat major D 125
Martina Fender, soprano
L’Orfeo Barockorchester
Michi Gaigg, conductor
Time
Tuesday, 4. May 2021 19:30
Event Details
Giuseppe Misliwecek, detto il Boemo: Sinfonia V B-flat major EvaM 10:B3 from: Six Overtures (London 1772) Carl Stamitz: Simphonie concertante in E-flat major for violin, oboe, viola and bassoon, strings
Event Details
Giuseppe Misliwecek, detto il Boemo: Sinfonia V B-flat major EvaM 10:B3 from: Six Overtures (London 1772)
Carl Stamitz: Simphonie concertante in E-flat major for violin, oboe, viola and bassoon, strings and 2 horns (Paris 1775)
Ludwig Lebrun: Concerto No. 1 in d minor for oboe and orchestra from: Six Concertos (Offenbach 1804)
Carl Philipp Emanuel Bach: Symphony in D major Wq 183,1 / H 663 with 12 obligato parts (1775/76)
Wolfgang Amadeus Mozart: Symphony No. 33 in B-flat major K 319 (Salzburg, 9 July 1779)
Carin van Heerden and Philipp Wagner, oboes
Julia Huber-Warzecha, violin
Lucas Schurig-Breuß, viola
Makiko Kurabayashi, bassoon
L’Orfeo Barockorchester
Michi Gaigg, conductor
Wolfgang Amadeus Mozart spent ten years, two months and eight days – all in all nearly a third of his lifetime – travelling. During these sojourns he met with countless, mainly older, colleagues. These encounters turned out to be never ending sources of inspiration for the rest of his life. The “musical souvenirs” which Mozart collected are included on our Grand Tour of pre-Classical Europe during the 1770s: from Milano to London, from Paris to Berlin. Other leading contributors include a Bohemian in Italy, two much-travelled composers from Mannheim and the Bach of the (late) 18th century.
Time
Saturday, 22. May 2021 20:00
Event Details
George Frideric Handel: Saul HWV 53 Oratorio in three parts Text by Charles Jennens and Abraham Cowley Nuria Rial, soprano Elisabeth Breuer, soprano Berenike Tölle, soprano Franz Vitzthum, alto Tilman Lichdi,
Event Details
George Frideric Handel: Saul HWV 53
Oratorio in three parts
Text by Charles Jennens and Abraham Cowley
Nuria Rial, soprano
Elisabeth Breuer, soprano
Berenike Tölle, soprano
Franz Vitzthum, alto
Tilman Lichdi, tenor
Christian Immler, bass
Martin Ellrodt, narrator
FAU-Kammerchor
L‘Orfeo Barockorchester
Julian Christoph Tölle, conductor
A firework of Baroque emotions will be unleashed when internationally acclaimed soloists join the ranks of L‘Orfeo Barockorchester and the FAU Kammerchor, conducted by Julian Tölle, to start the Festival Fränkischer Sommer 2021.
Recitation instead of recitative!
Martin Ellrodt grippingly tells a timeless story about power, betrayal, love, delusions of grandeur, but also of hope: Saul, one of the tragic figures from the Old Testament, is perpetrator and victim at the same time. He is Israel’s first king and by insisting on his power he neglects the signs of the times: he finds himself hopelessly entangled in intrigues of murderous jealousy, his own fear of God, feelings of guilt and issues of state policies.
Time
Saturday, 29. May 2021 19:00
Organizer
Event Details
George Frideric Handel: Saul HWV 53 Oratorio in three parts Text by Charles Jennens and Abraham Cowley Nuria Rial, soprano Elisabeth Breuer, soprano Berenike Tölle, soprano Franz Vitzthum, alto Tilman Lichdi,
Event Details
George Frideric Handel: Saul HWV 53
Oratorio in three parts
Text by Charles Jennens and Abraham Cowley
Nuria Rial, soprano
Elisabeth Breuer, soprano
Berenike Tölle, soprano
Franz Vitzthum, alto
Tilman Lichdi, tenor
Christian Immler, bass
Martin Ellrodt, narrator
FAU-Kammerchor
L‘Orfeo Barockorchester
Julian Christoph Tölle, conductor
A firework of Baroque emotions will be unleashed when internationally acclaimed soloists join the ranks of L‘Orfeo Barockorchester and the FAU Kammerchor, conducted by Julian Tölle, to start the Festival Fränkischer Sommer 2021.
Recitation instead of recitative!
Martin Ellrodt grippingly tells a timeless story about power, betrayal, love, delusions of grandeur, but also of hope: Saul, one of the tragic figures from the Old Testament, is perpetrator and victim at the same time. He is Israel’s first king and by insisting on his power he neglects the signs of the times: he finds himself hopelessly entangled in intrigues of murderous jealousy, his own fear of God, feelings of guilt and issues of state policies.
Time
Sunday, 30. May 2021 11:00