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Johann Sebastian Bach: Christmas Oratorio BWV 248
Parts (Cantatas) I & IV-VI

Erica Eloff, soprano
Margot Oitzinger, alto
Virgil Hartinger, tenor
Peter Kooij, bass
Collegium Vocale Salzburg
L’Orfeo Barockorchester
Michi Gaigg, direction

Johann Sebastian Bach: Christmas Oratorio BWV 248
Parts (Cantatas) I & IV-VI

Erica Eloff, soprano
Margot Oitzinger, alto
Virgil Hartinger, tenor
Peter Kooij, bass

Collegium Vocale Salzburg
L’Orfeo Barockorchester
Michi Gaigg, direction

Johann Sebastian Bach: Christmas Oratorio BWV 248
Parts (Cantatas) I-III

Johanna Falkinger, soprano
Monika Schwabegger, alto
Daniel Johannsen, tenor
Stefan Zenkl, bass
musica.plagensis
L’Orfeo Barockorcher
H. Ewald Nathanael Donhoffer, direction

Johann Sebastian Bach: Christmas Oratorio BWV 248
Parts (Cantatas) IV-VI

Johanna Falkinger, soprano
Monika Schwabegger, alto
Daniel Johannsen, tenor
Stefan Zenkl, bass
musica.plagensis
L’Orfeo Barockorcher
H. Ewald Nathanael Donhoffer, direction

Johannes Brahms: A German Requiem op. 45

Elisabeth Breuer, soprano
Florian Boesch, baritone
chorus sine nomine
L’Orfeo Barockorchester
Johannes Hiemetsberger, direction

Opening Concert Barock-Jazz Festival Raiding 2023

Johann Sebastian Bach:
Orchestra Suite No. 3 in D major BWV 1068
Concerto in F major for harpsichord, 2 recorders, strings und b.c. BWV 1057
Concerto in d minor for 2 violins, strings und b.c. BWV 1043
Orchestra Suite No. 4 in D major BWV 1069

Erich Traxler, harpsichord
Julia Huber-Warzecha, violin
Martin Jopp, violin
Michi Gaigg, direction

Georg Philipp Telemann:

Das selige Erwägen des bitteren Leidens und Sterbens Jesu Christi
Passion oratorio for soli, choir und orchestra TWV 5:2 (1720–22, rev. 1728 & 1763)

Maria Ladurner, soprano
Bernhard Berchtold, tenor
Virgil Hartinger, tenor
Markus Volpert, baritone
Stefan Zenkl, baritone
Collegium Vocale Salzburg
L’Orfeo Barockorchester
Michi Gaigg, direction

Georg Philipp Telemann:

Das selige Erwägen des bitteren Leidens und Sterbens Jesu Christi
Passion oratorio for soli, choir und orchestra TWV 5:2 (1720–22, rev. 1728 & 1763)

Maria Ladurner, soprano
Bernhard Berchtold, tenor
Virgil Hartinger, tenor
Markus Volpert, baritone
Stefan Zenkl, baritone
Collegium Vocale Salzburg
L’Orfeo Barockorchester
Michi Gaigg, direction

Georg Philipp Telemann:

Das selige Erwägen des bitteren Leidens und Sterbens Jesu Christi
Passion oratorio for soli, choir und orchestra TWV 5:2 (1720–22, rev. 1728 & 1763)

Maria Ladurner, soprano
Bernhard Berchtold, tenor
Virgil Hartinger, tenor
Markus Volpert, baritone
Stefan Zenkl, baritone
Collegium Vocale Salzburg
L’Orfeo Barockorchester
Michi Gaigg, direction

Johann Sebastian Bach:
Orchestra Suite No. 1 in C major BWV 1066
Cantata „Ich habe genung“ BWV 82a (2nd version for soprano, transverse flute, strings and b.c.)
Concerto in A major for oboe d’amore, strings and b.c., after BWV 1055
Cantata „Ich bin in mir vergnügt“ BWV 204

Dorothee Mields, soprano
Carin van Heerden, oboe d’amore
Sophia Aretz, transverse flute
L’Orfeo Barockorchester
Michi Gaigg, direction

Johann Sebastian Bach:
Orchestra Suite No. 1 in C major BWV 1066
Cantata „Ich habe genung“ BWV 82a (2nd version for soprano, transverse flute, strings and b.c.)
Concerto in A major for oboe d’amore, strings and b.c., after BWV 1055
Cantata „Ich bin in mir vergnügt“ BWV 204

Dorothee Mields, soprano
Carin van Heerden, oboe d’amore
Sophia Aretz, transverse flute
L’Orfeo Barockorchester
Michi Gaigg, direction

19:00: Introductory talk with Helmut Schmidinger in the hall

Jean-Féry Rebel: Les Élémens, Simphonie nouvelle
Antonio Vivaldi: Concerto in D major für recorder, strings and b.c. „Il Gardellino“ RV 428, op. 10,3
Jean-Philippe Rameau: Suite from Zaïs, Ballet heroïque (1748)

Carin van Heerden, recorder
L’Orfeo Barockorchester
Michi Gaigg, direction

JFranz Xaver Richter: Sinfonia IV [d-Moll] aus: Sei Sinfonie a più strumenti opera IIIa
Ludwig August Lebrun: Konzert F-Dur für Oboe und Streicher (Erstveröffentlichung Paris 1777)
Anton Fils: Symphonia II [g-Moll] aus: Six Simphonies à quatre parties obligées avec cors de chasse ad lib. Œuvre IIme (La Chevardière / Huberty, 1760)
Carl Stamitz: Simphonie concertante [Es-Dur] à plusieurs instruments et exécutée au Concert spirituel für Violine, Oboe, Viola und Fagott solo, Streicher und 2 Hörner ad lib. (Heina, 1775)
Ignaz Holzbauer: Sinfonia I [Es-Dur] aus: Six Simphonies à huit partie obligé, deux violons, deux hautbois ou flutes, deux cors alto et basse Œuvre IIIe (Bérault, 1769)

Carin van Heerden & Philipp Wagner, oboe
Julia Huber-Warzecha, violin
Lucas Schurig-Breuß, viola
Makiko Kurabayashi, bassoon
L’Orfeo Barockorchester
Michi Gaigg, conductor

We should really be talking about Paris when referring to the Mannheim School. This European musical capital boasted the most innovative publishing scene between the 1750’s and 1780’s and eased the way for the Mannheim masterpieces to be performed and admired in Paris. This Mannheim hype was only disputed by the works of Joseph Haydn.

Franz Xaver Richter: Sinfonia IV [d-Moll] aus: Sei Sinfonie a più strumenti opera IIIa
Ludwig August Lebrun: Konzert F-Dur für Oboe und Streicher (Erstveröffentlichung Paris 1777)
Anton Fils: Symphonia II [g-Moll] aus: Six Simphonies à quatre parties obligées avec cors de chasse ad lib. Œuvre IIme (La Chevardière / Huberty, 1760)
Carl Stamitz: Simphonie concertante [Es-Dur] à plusieurs instruments et exécutée au Concert spirituel für Violine, Oboe, Viola und Fagott solo, Streicher und 2 Hörner ad lib. (Heina, 1775)
Ignaz Holzbauer: Sinfonia I [Es-Dur] aus: Six Simphonies à huit partie obligé, deux violons, deux hautbois ou flutes, deux cors alto et basse Œuvre IIIe (Bérault, 1769)

Carin van Heerden & Philipp Wagner, oboe
Julia Huber-Warzecha, violin
Lucas Schurig-Breuß, viola
Makiko Kurabayashi, bassoon
L’Orfeo Barockorchester
Michi Gaigg, conductor

We should really be talking about Paris when referring to the Mannheim School. This European musical capital boasted the most innovative publishing scene between the 1750’s and 1780’s and eased the way for the Mannheim masterpieces to be performed and admired in Paris. This Mannheim hype was only disputed by the works of Joseph Haydn.

Wolfgang Amadeus Mozart:
Zaide (The Seraglio) K. 344

Fragment of a German Singspiel in 2 Acts (1779/80)
Libretto by Johann Andreas Schachtner

Ekaterina Krasko, soprano (Zaide)
Jakob Maximilian Gerbeth, tenor (Gomatz)
Virgil Hartinger, tenor (Sultan)
Stefan Zenkl, bass (Osmin)
Philipp Kranjc, bass (Allazim)
Barbara Novotny, speaker

L’Orfeo Barockorchester
Michi Gaigg, musical direction
Manuela Kloibmüller, direction
Isabelle Reder, stage & costumes

a donauFESTWOCHEN im Strudengau 2023 production

Wolfgang Amadeus Mozart:
Zaide (The Seraglio) K. 344

Fragment of a German Singspiel in 2 Acts (1779/80)
Libretto by Johann Andreas Schachtner

Ekaterina Krasko, soprano (Zaide)
Jakob Maximilian Gerbeth, tenor (Gomatz)
Virgil Hartinger, tenor (Sultan)
Stefan Zenkl, bass (Osmin)
Philipp Kranjc, bass (Allazim)
Barbara Novotny, speaker

L’Orfeo Barockorchester
Michi Gaigg, musical direction
Manuela Kloibmüller, direction
Isabelle Reder, stage & costumes

a donauFESTWOCHEN im Strudengau 2023 production

Wolfgang Amadeus Mozart:
Zaide (The Seraglio) K. 344

Fragment of a German Singspiel in 2 Acts (1779/80)
Libretto by Johann Andreas Schachtner

Ekaterina Krasko, soprano (Zaide)
Jakob Maximilian Geberth, tenor (Gomatz)
Virgil Hartinger, tenor (Sultan)
Stefan Zenkl, bass (Osmin)
Philipp Kranjc, bass (Allazim)
Barbara Novotny, speaker

L’Orfeo Barockorchester
Michi Gaigg, musical direction
Manuela Kloibmüller, direction
Isabelle Reder, stage & costumes

a donauFESTWOCHEN im Strudengau 2023 production

Wolfgang Amadeus Mozart:
Zaide (The Seraglio) K. 344

Fragment of a German Singspiel in 2 Acts (1779/80)
Libretto by Johann Andreas Schachtner

Ekaterina Krasko, soprano (Zaide)
Jakob Maximilian Gerbeth, tenor (Gomatz)
Virgil Hartinger, tenor (Sultan)
Stefan Zenkl, bass (Osmin)
Philipp Kranjc, bass (Allazim)
Barbara Novotny, speaker

L’Orfeo Barockorchester
Michi Gaigg, musical direction
Manuela Kloibmüller, direction
Isabelle Reder, stage & costumes

a donauFESTWOCHEN im Strudengau 2023 production

Wolfgang Amadeus Mozart:
Zaide (The Seraglio) K. 344

Fragment of a German Singspiel in 2 Acts (1779/80)
Libretto by Johann Andreas Schachtner

Ekaterina Krasko, soprano (Zaide)
Jakob Maximilian Gerbeth, tenor (Gomatz)
Virgil Hartinger, tenor (Sultan)
Stefan Zenkl, bass (Osmin)
Philipp Kranjc, bass (Allazim)
Barbara Novotny, speaker

L’Orfeo Barockorchester
Michi Gaigg, musical direction
Manuela Kloibmüller, direction
Isabelle Reder, stage & costumes

a donauFESTWOCHEN im Strudengau 2023 production

Joseph Haydn:

The Creation
Oratorio in three parts Hob. XXI:2 (1798)
Text by Gottfried van Swieten

Christina Gansch, soprano
Johannes Bamberger, tenor
Günter Haumer, bass

Domkantorei St. Pölten
L’Orfeo Barockorchester
Valentin Kunert, direction