December
Event Details
Many myths are intwined around Mozart’s Requiem, which was never finished, and his Masonic Funeral Music. Both these works are immortal masterpieces. And this could also be said of the
Event Details
Many myths are intwined around Mozart’s Requiem, which was never finished, and his Masonic Funeral Music. Both these works are immortal masterpieces. And this could also be said of the famous Symphony in g minor from 1788. This programme invites the audience to dwell into deep human emotions.
Wolfgang Amadeus Mozart
Maurerische Trauermusik K. 477
Symphony in G minor K. 440
Requiem in D major K. 626
Ekaterina Krasko, soprano
Tamara Obermayr, alto
Virgil Hartinger, tenor
Oddur Jónsson, bass
Collegium Vocale Salzburg
(Rehearsing: Michael Schneider)
L’Orfeo Barockorchester
Michi Gaigg, conductor
Time
Friday, 5. December 2025 19:30
Event Details
The audience in the Aula of the Salzburg University responds enthusiastically when Gaigg presents the first three cantatas of Bach’s Christmas Oratorio as a vivid semi-opera.
Event Details
The audience in the Aula of the Salzburg University responds enthusiastically when Gaigg presents the first three cantatas of Bach’s Christmas Oratorio as a vivid semi-opera.
Süddeutsche Zeitung, Reinhard Brembeck
Johann Sebastian Bach: Christmas Oratorio BWV 248
Parts (Cantatas) I-III
Ekaterina Krasko, soprano
Alois Mühlbacher, alto
Virgil Hartinger, tenor
Benjamin Sattlecker, bass
Collegium Vocale Salzburg
L’Orfeo Barockorchester
Michi Gaigg, conductor
Time
Saturday, 20. December 2025 19:30
Organizer
June
Event Details
“Pure delight, pure joy” Pre-Christmas music from 18th century Germany German Baroque music to fit the special time around Advent. The programme includes cantatas composed for intimate domestic use, as well
Event Details
“Pure delight, pure joy”
Pre-Christmas music from 18th century Germany
German Baroque music to fit the special time around Advent. The programme includes cantatas composed for intimate domestic use, as well as gallant court music and music composed for the educated class. Works i.e. by Georg Philipp Telemann, Johann David Heinichen and Christian Ludwig Boxberg:
Georg Philipp Telemann (1681-1767)
“Lauter Wonne, lauter Freude”, cantata for the 4th Sunday of Advent TWV 1:1040
for high voice, recorder and b.c.
(from: Harmonischer Gottesdienst, Hamburg, 1725)
Christoph Schaffrath (1709-1763)
Trio Sonata in G minor for oboe, recorder (orig. violin) and b.c. CSWV E:18 (1760)
Allegro – Largo – Presto
Georg Philipp Telemann
Sixteenth Lesson from “Der getreue Music-Meister” (Hamburg, 1728)
for viola da gamba solo
Recitatif – Arioso – Vivace
Johann Mattheson (1681-1764)
Two rehearsal pieces from “Grosse General-Baß-Schule” (Hamburg, 1731)
for harpsichord solo
Georg Philipp Telemann
Duetto II in C major TWV 40:125
for 2 recorders without bass
(from: Second livre de duo pour deux violons, fluites ou hautbois, Paris, 1752)
Vivace – Moderato – Allegro
Christian Ludwig Boxberg
“Der Engel des Herrn lagert sich”, cantata for Michaelmas
Johann David Heinichen (1683-1727)
“Pastorale per la Notte di Natale” SeiH 242 (ca. 1720)
for two recorders, viola da gamba and harpsichord (arranged)
Christoph Graupner (1683-1760)
Dictum from the cantata “Das Leben war das Licht der Menschen” GWV 1107/45
for high voice, two recorders/oboes d’amore, viola da gamba and harpsichord
Georg Philipp Telemann
Trio Sonata in D minor TWV 42:d11 (1708-1712)
for two oboes and b.c.
Gravement en Menuet – Lentement – Gayement
Christian Ludwig Boxberg
“Komm Ehrenprinz”, cantata for the 1st Sunday of Advent
for soprano, two oboes, viola da gamba and b.c.
Miriam Feuersinger, soprano
L’Orfeo Bläserensemble
Carin van Heerden and Philipp Wagner, oboe and recorder
Matthias Müller, viola da gamba
Jean-Christophe Dijoux, harpsichord
Time
Tuesday, 9. June 2026 20:00
Venue
Paterskirche Kempen
Burgstraße 19, 47906 Kempen
