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The drawings come about quite impulsively during the concerts in Linz and Wels, similar as in Action Painting. Some of these works were completed later whilst listening to a CD recording (e.g. the vocal scene „Che vuoi mio cor“).
I associate the inexorable burst of spring, am aware of light and flowing melodic shapes by the strings, delicate foundations by the forte piano. I try to identify with the dramatic qualities of the music and the gestures of the musicians, thereby experiencing the music’s resonance strongly physical. These musical experiences usually flow spontaneously and very emotionally into the graphic works. (Christa Moritz)

„Minerva“ – To The Strict Sister (00:00 – )

„Minerva“ – To the strict sister (00:00 – )

Viola In Adagio A) (01:00 – )

Viola in Adagio a) (01:00 – )

Viola In Adagio B) (02:00 – )

Viola in Adagio b) (02:00 – )

Ready ... Go! A) (03:00 – )

Ready … go! a) (03:00 – )

Ready ... Go! B) (04:00 – )

Ready … go! b) (04:00 – )

The Spirits, They Did Summon (05:00 – )

The Spirits, they did summon (05:00 – )

Che Vuoi Mio Cor (06:00 – )

Che vuoi mio cor (06:00 – )

„Light And Airy“ – Sinfonia IX, Poco Adagio (07:00 – )

„Light and airy“ – Sinfonia IX, Poco Adagio (07:00 – )

„Nimble“ – Sinfonia IX, Scherzo (08:00 – )

„Nimble“ – Sinfonia IX, Scherzo (08:00 – )

„Schweizer Lied“ – Sinfonia IX, Trio Più Lento (09:00 – )

„Schweizer Lied“ – Sinfonia IX, Trio più lento (09:00 – )

„Delirious“ – Sinfonia IX, Allegro (10:00 – )molto

„Delirious“ – Sinfonia IX, Allegro molto (10:00 – )

Drawings during the projects “The Mozart of the 19th century” on 15 September 2015 at the International Bruckner Festival Linz
and
“Che vuoi mio cor – Mendelssohn’s Early Works” with Margot Oitzinger (Alto) on 25 September 2017, Civic Theatre Wels.

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